A summary of the play lysistrata by aristophanes
Myrrhine fetches a bed, then a mattress, then a pillow, then a blanket, then a flask of oil, exasperating her husband with delays until finally disappointing him completely by locking herself in the Acropolis again.
Lysistrata by aristophanes summary in hindi
The Commissioner and Lysistrata are left behind to argue about the Peloponnesian War. Historical background[ edit ] Some events that are significant for understanding the play: BC: The Knights won first prize at the Lenaia. The Chorus of Men shows up; basically this is a bunch of old Athenian geezers. At the meeting, Lysistrata announces her plan: the women should all refuse to have sex with their husbands until their husbands end the war. Eventually, he storms off to report the incident to his colleagues, and Lysistrata returns to the Acropolis. Nevertheless, it is clever how Aristophanes, through Lysistrata, reveals the extent to which women are undervalued for their contributions to Athenian society. Interestingly, when establishing the rules of the sex ban, Lysistrata also makes allowance for cases where the woman is forced to yield, in which case they should do so with an ill grace and in such a way as to afford the minimum of gratification to their partner, remaining passive and taking no more part in the amorous game than they are absolutely obliged to. The male characters in the play would probably have worn large, erect leather phalluses. The Spartan and Athenian Delegates show up. Lysistrata also comes recalling the ancient friendship and alliance, praising them for valor, rebuking for absurd contention. Encumbered with heavy timbers, inconvenienced with smoke and burdened with old age, they are still making preparations to assault the gate when a Chorus of Old Women arrives, bearing pitchers of water. Lysistrata comes out of the Akropolis with her naked handmaid, Peace. The informality of the agon draws attention to the absurdity of a classical woman engaging in public debate.
Table of Contents Summary Lysistrata has planned a meeting between all of the women of Greece to discuss the plan to end the Peloponnesian War.
She then dresses the magistrate like a corpse for laying out, with a wreath and a fillet, and advises him that he's dead. The Chorus of Old Women also approaches the Akropolis, carrying jugs of water to put out the men's fires.
The chorus of women takes the Athenian acropolis. He now can only think about the peace treaty between the two states. Again persuasions, again admonitions. At another point, Lysistrata likens the city of Athens to a clump of wool, drawing on a domestic chore she knows well to make a point about how a good city functions. The magistrate, now also sporting a prodigious burden, laughs at the herald's embarrassing situation but agrees that peace talks should begin. Cinesias and the Men's Chorus swap horror stories about their sexual frustration. The women from the various regions finally assemble and Lysistrata convinces them to swear an oath that they will withhold sex from their husbands until both sides sign a treaty of peace. Historical background[ edit ] Some events that are significant for understanding the play: BC: The Knights won first prize at the Lenaia. Lysistrata also explains that she's sent a contingent of women to occupy the Acropolis the government center of Athens. Along with a chorus of women who have already seized the Acropolis, Lysistrata and her band of female revolutionaries defend themselves against a chorus of old men who try to smoke them out of the Acropolis. The peace treaty is signed by both sides and Lysistrata gives the women back to their men.
Lysistrata instructs her to torture him and Myrrhine then informs Kinesias that she can't have sex with him until he stops the war. Delegations from both states then meet at the Akropolis to discuss peace.
She expresses pity for the young, childless women, left to grow old at home during the best years of their lives, while the men are away on endless military campaigns, and she constructs an elaborate analogy in which she shows that Athens should be structured as a woman would spin wool.
Then Lysistrata reemerges from the Acropolis to complain that the women are all trying to run off and have sex with their husbands; we see her catch three women in the act. An added twist to the gender battle arises from the fact that, although the gender roles were reversed with the women acting like men, to some extent, in taking the political initiative, and the men behaving more like womenin the Greek theatre ALL the actors were actually male anyway.
With support from the Spartan Lampito, Lysistrata persuades the other women to withhold sexual privileges from their menfolk as a means of forcing them to end the interminable Peloponnesian War.
Eventually, he storms off to report the incident to his colleagues, and Lysistrata returns to the Acropolis. The debate or agon is continued between the Chorus of Old Men and the Chorus of Old Women until Lysistrata returns to the stage with some news—her comrades are desperate for sex and they are beginning to desert on the silliest pretexts for example, one woman says she has to go home to air her fabrics by spreading them on the bed.
Finally they all agreed to bring solemn oath over a huge wineskin.
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